European Association for Digital Humanities 2026
15-19 September 2026
Jagiellonian University, Kraków, Poland
Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions on that day or at that location. Please select a single session for detailed view (with abstracts and downloads if available).
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Daily Overview |
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SP4: Digital Fingerprints: Detecting Human and Machine Authorship Location: Room 303, al. Mickiewicza 9b Session Chair: Jan Rybicki | |
| Presentation 6 | |
Do Large language Models have their specific styles? Stylometric analysis of machine generated texts. 1: University of Wrocław; 2: Wrocław University of Technology The study proposes a large-scale stylometric comparison between human-authored English novels and machine-generated texts produced from schematic summaries of those novels. Its main hypothesis is that both human authors and large language models (LLMs) exhibit distinct, identifiable stylistic profiles, and that these profiles show systematic patterns of similarity and divergence. The research also examines whether author gender influences stylometric clustering. Using a corpus of about 1,000 nineteenth- and twentieth-century novels, the study generates abstracts and then produces new texts from these using four different LLMs. Stylometric analysis is conducted with TF-IDF features, k-nearest neighbors, UMAP visualization, and Burrows’s Delta to compare human and machine texts across dimensions of authorship, origin (human vs. machine), and gender. The design controls for narrative content in order to isolate stylistic differences. The expected outcome is evidence that LLMs develop their own recognizable stylistic tendencies, which may align with or diverge from human authors’ styles and potentially form independent stylistic clusters. The study aims to shift stylometry beyond plagiarism detection toward understanding machines as possible stylistic agents, contributing to debates in digital humanities and NLP about authorship, stylistic identity, and the nature of style in artificial language production. | |
