Conference Agenda

Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).

Please note that all times are shown in the time zone of the conference. The current conference time is: 17th May 2024, 11:05:55am CEST

 
 
Session Overview
Session
D424: DESIGN COGNITION AND AFFECT
Time:
Thursday, 23/May/2024:
10:45am - 12:30pm

Session Chair: Harald Schaub, University of Bamberg, Germany
Location: Congress Hall Orlando 2


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Presentations

Chronobiology of pupil dilation in design students during idea generation

Samuele Colombo1, John S. Gero2, Alessandro Mazza3, Marco Cantamessa1

1Politecnico di Torino, Italy; 2UNC Charlotte, United States of America; 3University of Turin, Italy

Chronobiology studies physiological variations due to the time of day, an unexplored factor in design research. This paper explores the effect of time of day on designers' physiological responses in idea generation. Convergent (CT) and divergent (DT) thinking, as building blocks of designing, are explored using pupil dilation as a proxy for cognitive load. Time of day and educational background are explored for engineering and industrial designers. Results show a larger pupil diameter in the afternoon than in the morning, especially for DT, with higher values for industrial designers.



The EmotionProbe: an exploration of design students’ emotions when designing

Hazar Taissier Marji, Paul Rodgers, Ross Brisco

University of Strathclyde, United Kingdom

The emotional experiences significantly impact students' design processes. This research presents the EmotionProbe, a design probe tool for capturing design students' emotions while designing. The tool allows simple data collection, offering important insights into the students' design experiences, introducing the spectrum of emotions that design students go through, and showcasing various analysis approaches, allowing for a richer understanding of the design's emotional dimension. The research highlights the need for an emotional tool supporting students' emotional well-being while designing.



Exploring designers’ cognitive abilities in the concept product design phase through traditional and digitally-mediated design environments

Muhammad Tufail1, Shahab Zaib1, Sahr Uzma2, Raja Mubashar Karim3, KwanMyung Kim4

1The Hong Kong Polytechnic University, Hong Kong; 2University of Ulsan, South Korea; 3National University of Science and Technology, Pakistan; 4Ulsan National Institute of Science and Technology, South Korea

This study explores design strategies that designers adapt in different design environments and assesses cognitive load associated with acquiring, comprehending, and implementing strategies in concept product design phase. The findings from qualitative and quantitative analyses show that the traditional design environment exhibits a greater intrinsic load, thereby fostering a greater diversity of ideas, design strategies, and solutions. The digitally-mediated design environment demonstrates extraneous load, resulting in a tendency towards similarity in ideas, design strategies, and solutions.



An EEG study to understand semantic and episodic memory retrieval in creative processes

Yuan Yin, Peter Childs

Imperial College London, United Kingdom

This study aimed to identify and compare the EEG activities associated with semantic and episodic memory retrieval during creative processes. Episodic and semantic memory induction studies were conducted and EEG was used to collect data. The results showed that (i) Episodic and semantic memory retrieval are related to the frontal lobe area; (ii) Semantic memory retrieval is evoked more swiftly compared with episodic memory retrieval (ii) Prior to episodic memory retrieval, semantic memory retrieval is evoked first.



Investigating differences in brain activity between physical and digital prototyping in open and constrained design tasks

Henrikke Dybvik1,2, Adam McClenaghan2, Mariya Stefanova Stoyanova Bond1, Asbjørn Svergja1, Tripp Shealy3, Chris Snider2, Pasi Aalto1, Martin Steinert1, Mark Goudswaard2

1Norwegian University of Science and Technology, Norway; 2University of Bristol, United Kingdom; 3Virginia Tech, United States of America

This article presents an fNIRS experiment investigating cognitive differences between physical and digital prototyping methods in designers (N=25) engaged in open and constrained design tasks. Initial results suggest that physical prototyping yields increased hemodynamic response (i.e., brain activity) compared to digital design, and that constrained design yields increased hemodynamic response compared to open design, in the prefrontal cortex. Further work will seek to triangulate results by investigating potential correlations to design processes and design outputs.



 
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