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Conference Agenda

Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).

Please note that all times are shown in the time zone of the conference. The current conference time is: 19th May 2022, 05:42:15am ADT

Session Overview

Date: Thursday, 19/May/2022
9:30am - 11:00am	Workshop 3: Music Encoding Basics and Background Location: Room 401 Music Encoding Basics and Background Maristella Feustle, MEI Pedagogy IG
9:30am - 12:00pm	Workshop 1 Location: Room 406 Connecting Musics: Semantic Modelling as Challenge for Music Encoding Richard Freedman, David Lewis, Stefan Münnich, Emilio Sanfilippo, David M. Weigl	Workshop 2 Location: Room 409 Interactive OMR-assisted transcription of Mensural sources using MuRET David Rizo, Jorge Calvo-Zaragoza, Martha Thomae	Workshop 4 (first half) Location: Script Library MEI Metadata and MerMEId workshop MEC 2022 Margrethe Støkken Bue, Clemens Gubsch, Sophia Dörner, Dennis Ried, Peter Stadler
12:00pm - 1:00pm	Lunch Location: Room 401
1:00pm - 3:30pm	Workshop 4 (second half) Location: Script Library Second half of Workshop 4 (MEI Metadata and MerMEId) Same Zoom link as first half.	Workshop 5 Location: Room 409 Encoding Musical Performances Axel Berndt	Workshop 6 Location: Room 401 MEI Tutorial Johannes Kepper, Perry Roland
4:00pm	Opening Reception (in-person participants)

Date: Friday, 20/May/2022
8:00am - 8:40am	Online platforms and on-site venue open
8:40am - 9:00am	Welcome
9:00am - 10:15am	Keynote 1: Gimena del Rio Riande (CONICET), Argentina Location: Dunn Theatre Chair: David M. Weigl Singing another Tune: Open/Digital/Minimal Scholarly Edition of Castilian and Galician-Portuguese Lyric Poetry Dr. Gimena del Rio Riande is Associate Researcher at the Instituto de Investigaciones Bibliográficas y Crítica Textual (CONICET, Argentina). She holds a MA and Summa Cum Laude PhD in Romance Philology (Universidad Complutense de Madrid). Her main academic interests deal with Digital Humanities, Digital Scholarly Editions, and Open Research Practices in the Humanites. She is the director of the Laboratorio de Humanidades Digitales HD CAICYT LAB (CONICET), and the journal Revista de Humanidades Digitales. She also serves as president of the Asociación Argentina de Humanidades Digitales, and as member of the board of directors at Poblaciones, FORCE11, and the Text Encoding Initiative Consortium. Since 2020, she is one of the DOAJ (Directory of Open Access Journals) Ambassadors for Latin America. Gimena is the director of the first Postgraduate training in Digital Humanities in Argentina (UCES) and co-director of the Digital Humanities Master at UNED (Spain). She also coordinates a Global Classrooms Program for Digital Minimal Editions with Raffaele Viglianti (2020-2023, University of Maryland-Universidad del Salvador).
10:15am - 10:30am	Coffee Break Location: Room 401
10:30am - 12:30pm	Paper presentations (Session 1) Location: Dunn Theatre Chair: Anna E. Kijas Musicologists and Data Scientists Pull out all the Stops: Defining Renaissance Cadences Systematically Alexander Morgan, Daniel Russo-Batterham, Richard Freedman MuseReduce: A Generic Framework for Hierarchical Music Analysis Petter Ericson, Yannis Rammos, Martin Rohrmeier Challenging the MEI Neumes Module: Encoding Armenian Neumes Elsa De Luca, Haig Utidjian Towards the digitisation of Middle Byzantine notation: a formal model and knowledge representation Polykarpos Polykarpidis, Christina Anagnostopoulou, Dionysios Kalofonos Community-centered sustainability: A Case Study of the Music Encoding Initiative Jessica Grimmer
12:30pm - 1:30pm	Lunch Location: Room 401
1:30pm - 2:00pm	Poster slam Location: Dunn Theatre Chair: Anna Plaksin 3-minute plenary presentations of all posters (excluding LBRs)
2:00pm - 3:15pm	Posters & Latebreaking Reports (Zoom room conversations) A New Conceptual Model for Musical Sources and Musicological Studies Elisabete Shibata, David Lewis, Mark Saccomano, Andrew Hankinson, Johannes Kepper, Kevin Page A Notation-Free Approach to Encoding Commatic Drifts in Just Intonation Jordan Lenchitz Developing a Measure Image and Applying to Deep Learning Lucas Francesco Piccioni Costa, André Yoshio Caram Ogoshi, Marcella Scoczynski Ribeiro Martins, Hugo Valadares Siqueira Explicating Revisions – How to mediate Beethoven's redaction instructions Johannes Kepper, Jan-Peter Voigt, Susanne Cox, Ran Mo, Elisa Novara, Richard York Sänger, Agnes Seipelt »Play it again, Sam« – levels of complexity in encoding performance personnel Benjamin W. Bohl, Dennis Ried Towards MerMEId 2.0 Peter Stadler, Omar Siam, Margrethe Støkken Bue, Clemens Gubsch, David Lewis, Kevin Page, Axel Teich Geertinger, Sigfrid Lundberg, Joshua Neumann, Daniel Jettka, Anastasia Wawilow, Zsofia Karolina Abraham, Daniel Schopper Joseph Haydn Werke Metadata, MEI Way Joshua Neumann Encoding and Analyzing a New Corpus of Popular Songs Lindsey Reymore, Matthew Zeller, Leigh VanHandel, Ben Duinker, Nicholas Shea, Christopher William White, Jeremy Tatar, Jade Roth, Nicole Biamonte LBR. Jazz Standards: from the manuscript to multiple possibilities through computation. Patricia García-Iasci, Javier Merchán Sánchez-Jara LBR. The mei-friend Web Application: Editing MEI in the Browser Werner Goebl, David M. Weigl LBR. Proposal to Adopt MEI for Encoding Traditional Japanese Music Scores Shintaro Seki
3:30pm - 4:30pm	Panel 1 Location: Dunn Theatre Sharing MEI: common semantics in diverse musics? Anna Plaksin, David Lewis, Nevin Şahin, Axel Berndt
4:30pm - 5:30pm	Posters & Latebreaking Reports (in-person conversations) Location: Room 409 Opportunity for continued discussion of posters and LBRs (in-person participants)
7:30pm	Concert (in-person participants) Location: Dunn Theatre Megan Thibeault Megan Thibeault (piano) performs Nicole Lizée, Hitchcock Etudes and Kubrick Etudes for piano, electronics and film

Date: Saturday, 21/May/2022
9:00am - 10:00am	Panel 2 Location: Dunn Theatre Musicology and Music Philology. Can digitization revive an old connection? Johannes Kepper, Christine Siegert, Andreas Münzmay, Joy H. Calico, Richard Freedman
10:15am - 10:30am	Coffee Break Location: Room 401
10:30am - 12:30pm	Paper presentations (Session 2) Location: Dunn Theatre Chair: David Lewis Modeling and Editing Cross-Modal Synchronization on a Label Web Canvas Louis Garczynksi, Mathieu Giraud, Emmanuel Leguy, Philippe Rigaux Watermarks and Where To Find Them: Digitization, Recognition, and Automated Clustering of Watermarks in the Music Manuscripts of Franz Schubert (DRACMarkS) Andrea Lindmayr-Brandl, Katharina Loose-Einfalt, Clemens Gubsch, Paul Gulewycz, Marlene Peterlechner, Günther Koliander The match file format: Encoding Alignments between Scores and Performances Francesco Foscarin, Emmanouil Karystinaios, Silvan Peter, Carlos Eduardo Cancino-Chacón, Maarten Grachten, Gerhard Widmer Partitura: A Python Package for Symbolic Music Processing Carlos Eduardo Cancino-Chacón, Silvan Peter, Emmanouil Karystinaios, Francesco Foscarin, Maarten Grachten, Gerhard Widmer Mysterium: A Corpus of Alexander Scriabin's Music for Solo Piano Bryan Jacob Bell
12:30pm - 1:30pm	Lunch Location: Room 401
1:30pm - 2:45pm	Keynote 2: Ichiro Fujinaga (McGill University), Canada Location: Dunn Theatre Chair: Jennifer Bain Optical Music Recognition Workflow for Neume Notation and its Encoding Ichiro Fujinaga is Professor and Canada Research Chair in Music Information Retrieval in the Music Technology Area of the Department of Music Research at the Schulich School of Music, McGill University. He has Bachelor’s degrees in Music/Percussion and Mathematics from University of Alberta, a Master’s degree in Music Theory, and a Ph.D. in Music Technology from McGill University. Before coming to McGill, he was a faculty member of the Computer Music Department at the Peabody Conservatory of Music of the Johns Hopkins University. Research interests include music theory, optical music recognition, machine learning, music perception, digital signal processing, genetic algorithms, and music information acquisition, preservation, and retrieval.
3:00pm - 4:30pm	Invited panel: Encoding liturgical chant notations and meta-data Location: Dunn Theatre Chair: Debra Suzanne Lacoste
5:30pm - 6:30pm	Live visit: Salzinnes Antiphonal (in-person participants) Location: Saint Mary's University Library	Pre-recorded presentation: Salzinnes Antiphonal

Date: Sunday, 22/May/2022
9:00am - 10:00am	Community meeting (open to all) Location: Dunn Theatre
10:00am - 10:15am	Coffee Break Location: Room 401
10:15am - 12:15pm	Digital Analysis of Chant Transmission (DACT) meeting (Part 1) Location: Script Library	Interest group and project meetings Location: Room 401	Interest group and project meetings Location: Room 409
12:15pm - 1:15pm	Lunch Location: Room 401
1:15pm - 4:15pm	Digital Analysis of Chant Transmission (DACT) meeting (Part 2) Location: Script Library	Interest group and project meetings Location: Room 401	Interest group and project meetings Location: Room 409

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Conference Agenda

Singing another Tune: Open/Digital/Minimal Scholarly Edition of Castilian and Galician-Portuguese Lyric Poetry

Megan Thibeault

Optical Music Recognition Workflow for Neume Notation and its Encoding